Ten Texas State students used ceramics, sculpture, painting, photography and drawing to explore identity through intimacy, queerness, Blackness and personal experience.
Maqaam Foundation’s Hyderabad exhibition presented 50 works by 35 artists with audio descriptions and tactile elements designed to improve access for visually impaired visitors.
Mark Salvatus and curator Carlos Quijon Jr. used the Philippine Pavilion at the Venice Biennale to explore Mount Banahaw through mysticism, history, ecology and collective memory.
Sunny Bank Mills selected 40 emerging Yorkshire artists from a record 204 entries for the 11th edition of Ones to Watch.
The 55th Beverley Art Prize brought around 334 works to Western Australia’s historic Beverley Town Hall through a large community volunteer effort.
Palm Trees Also Die 2.0 brought 22 artists together in Palm Springs to examine the palm through ecology, Indigenous history, imported landscapes and contemporary art.
Will Hutnick’s SATELLITE at Geary Contemporary transformed plants and natural forms into layered paintings built around pattern, colour and spatial disorientation.
Of Many presented ceramic sculpture by six artists whose work used repetition, accumulation and combined elements to explore the NCECA theme of coalescence.
Through Our Eyes XII presented painting, photography, ceramics, film and mixed media by more than 120 New Canaan High School students at the Carriage Barn Arts Center.
James Hubbell: Architecture of Jubilation brought the San Diego artist’s sculpture and design practice to four public libraries across the city.
