Eye Spy used a carved whalebone heru to question the language of decorative art
A work attributed to Patoromu Tamatea revealed how Māori carving carries story, status and protection beyond ornament alone.
A work attributed to Patoromu Tamatea revealed how Māori carving carries story, status and protection beyond ornament alone.
Body Paint, Submergence, Blooms and The Last Word turned visitors from observers into active elements of the exhibition.
Individual and collaborative works drew on Patnitop’s landscapes, spiritual sites and local traditions during a five-day residency in 2023.
Painting, sculpture and beadwork by Native artists from North Carolina challenged stereotypes and carried lived experience into public view.
Painting, print, ceramics, textiles, jewellery and photography filled the Ilkley gallery while tubes of paint became subjects in a related shop display.
Photography, sculpture, graphic narrative and archival material examined flooded cities, shrinking farmland and disappearing species at DakshinaChitra.
Eight zones explored Andy Lau’s career and personal life, including landscape and flower paintings made with his daughter Hanna.
The 2023 exhibition at Chattanooga’s Jewish Cultural Center examined how artists construct languages across several media.
Artists from five states were invited to present work during the 2023 Ofala Festival in Onitsha.
The 2023 Glasgow exhibition presented original stencils, reconstructed interventions and the mechanism behind Love Is in the Bin.
