Twenty-five works from the Methodist Modern Art Collection offered modern and multicultural interpretations of Lent and Easter at the Focolare Centre for Unity.
Samantha Schneider’s Power of the Marshes used watercolour, acrylic and ink to examine the coexistence of wetlands, pylons and industrial structures in the Lea Valley.
St. Francis College’s Home Is… brought 16 artists together around belonging, migration, memory and the physical and emotional meanings of home.
A touring exhibition at Louisville’s Speed Art Museum explored courtly life, hunting, love and the cultural role of elephants through South Asian paintings from the 15th to 19th centuries.
Twelve Israeli artists brought a mobile exhibition on victims, hostages and collective trauma to public spaces across central London.
Amplify combined contemporary art, action-sports photography and live skateboarding for Boarding for Breast Cancer’s 20th anniversary in Los Angeles.