Chassepierre Festival keeps street arts alive after dark
The Belgian village’s 52nd street arts festival closed with high-wire work, monumental puppetry and performances transformed by darkness.
The Belgian village’s 52nd street arts festival closed with high-wire work, monumental puppetry and performances transformed by darkness.
Four monumental molecules now hover above Saarbrücken, turning the hidden chemistry of oil into an uneasy spectacle of colour, scale and consequence.
Romanian filmmaker Florin Șerban takes Locarno’s Golden Leopard with a tense father-and-son drama about loyalty, intolerance and violence.
Rafa Macarrón opened Los Noctivagueantes in Helsinki, bringing surreal, anatomically distorted figures to Makasiini Contemporary.
HOLD FAST opened in St. John’s with a participatory workshop, readings and music, setting a community-led course for four days of contemporary art.
Antequera’s Imprenta y Tauromaquia exhibition turns more than 40 historical bullfighting posters into a record of print, design and civic life.
In its quest to curb waste, Brussels may have inadvertently constructed a formidable administrative wall. From 12 August 2026, the Single Market faces a paradox: a harmonised environmental goal enforced through national compliance systems that risk making occasional cross-border sales economically irrational for Europe’s smallest businesses.
Carlotta Leiter’s sTracciati opened in Trieste, turning discarded paper and fragments into fragile, audacious portraits of women.
Lissadell Céilí Band won the senior All-Ireland title as Belfast’s first Fleadh Cheoil reached its final competitive evening.
Catherine Opie’s first solo exhibition in Scotland brings nearly 80 portraits to Edinburgh, exploring visibility, intimacy and belonging.
