Eva

Fontainebleau reunites 120 works with the royal rooms Marie Antoinette and Louis XVI inhabited, revealing courtly pleasure on the eve of revolution.

Boston’s Museum of Science opens a glass-walled, immersive civic stage where architecture, media art and public discovery converge.

Ghent’s Museum of Fine Arts has opened a retrospective that restores Jenny Montigny’s luminous, independent vision to the history of Belgian art.

New York’s American Folk Art Museum recasts early needlework, maps and samplers by girls as a foundational chapter in American landscape art.

Luxembourg’s Nationalmusée opens a cross-border Impressionist display led by Monet’s windswept Atlantic coast and the public legacy of the Rau Collection.

The Louvre opens its Zurbarán retrospective in Paris, revealing how stillness, colour and radical simplicity shaped the Spanish Baroque master’s visual power.

Bilbao Fine Arts Museum reopens with Agravitas, a major Foster-led expansion that reconnects its historic buildings and retells the collection.

The British Museum opens a 100-work journey through Korean art, from ancient ritual bronzes to Jeong Seon’s rain-soaked mountain and the fractures of the modern era.

J. M. W. Turner’s Rome, From Mount Aventine returns for its first public display in Rome, reconnecting the painting with the city behind it.

The Orangerie’s centenary exhibition follows Claude Monet from repeated motifs to the Nymphéas, revealing time as the engine of his art.