Elga Sesemann opens Ateneum’s Modern Classics series
Ateneum’s first comprehensive Elga Sesemann survey brings displacement, memory and an overlooked Finnish modernist into a new national collection series.
Ateneum’s first comprehensive Elga Sesemann survey brings displacement, memory and an overlooked Finnish modernist into a new national collection series.
Washington’s National Gallery of Art has added around 190 works spanning five centuries, bringing new artists, media and histories into the national collection.
Four recent scores at New York’s TIME:SPANS festival revealed contrasting approaches to material, electronics, political memory and physical musical gesture.
The Belgian village’s 52nd street arts festival closed with high-wire work, monumental puppetry and performances transformed by darkness.
Four monumental molecules now hover above Saarbrücken, turning the hidden chemistry of oil into an uneasy spectacle of colour, scale and consequence.
Romanian filmmaker Florin Șerban takes Locarno’s Golden Leopard with a tense father-and-son drama about loyalty, intolerance and violence.
Rafa Macarrón opened Los Noctivagueantes in Helsinki, bringing surreal, anatomically distorted figures to Makasiini Contemporary.
HOLD FAST opened in St. John’s with a participatory workshop, readings and music, setting a community-led course for four days of contemporary art.
Antequera’s Imprenta y Tauromaquia exhibition turns more than 40 historical bullfighting posters into a record of print, design and civic life.
In its quest to curb waste, Brussels may have inadvertently constructed a formidable administrative wall. From 12 August 2026, the Single Market faces a paradox: a harmonised environmental goal enforced through national compliance systems that risk making occasional cross-border sales economically irrational for Europe’s smallest businesses.
